Van Helsing

Van Helsing

Inferno artist with Digiscope. In total over 30 shots of composite with many more paint and fix-up shots as well. Work included matte paintings for the forest in the opening "caging of the werewolf sequence", matte painting and blue screen composites in the village with the "harpy attack", fire and matte painting composites on the burning windmill with Frankenstein's monster, and designing non-CG stages of werewolf transformation.